An online debate over global warming science has broken out after an unknown hacker broke into the e-mail server at a prominent climate-research center, stole more than a thousand e-mails about global warming and posted them online.
He's been a homicidal singing barber in "Sweeney Todd: The Demon Barber of Fleet Street" and a drunken swashbuckler in "Pirates of the Caribbean: At World's End."
Early in Michael Mann's vivid, incisive, but half-cocked gangster opus "Public Enemies," Johnny Depp's John Dillinger returns to jail a few scant months after leaving it.
Perhaps it was the daily bombardment of media imagery that deterred filmmakers from confronting the Vietnam War until after U.S. troops were safely home. With Iraq it's different. The steady drip of spin and punditry conceals as much as it reveals, and Hollywood is stepping in to fill the breach.
When "Miami Vice" was big in the '80s, like other fans I got off on the stylishly decadent trappings, the pastel rock & roll machismo coolness -- the T-shirts worn under silk jackets, the roiling synthesizer music and white-on-white coral deco mansions, the way that Don Johnson, with his dimples and jaded nobility and celebrated stubble (I will always be grateful to him for making it possible to work in an office and shave only every other day), would stare into the mug of some two-bit informer and threaten him with a sarcastic "Pal!"
An online debate over global warming science has broken out after an unknown hacker broke into the e-mail server at a prominent climate-research center, stole more than a thousand e-mails about global warming and posted them online.
He's been a homicidal singing barber in "Sweeney Todd: The Demon Barber of Fleet Street" and a drunken swashbuckler in "Pirates of the Caribbean: At World's End."
Early in Michael Mann's vivid, incisive, but half-cocked gangster opus "Public Enemies," Johnny Depp's John Dillinger returns to jail a few scant months after leaving it.
Perhaps it was the daily bombardment of media imagery that deterred filmmakers from confronting the Vietnam War until after U.S. troops were safely home. With Iraq it's different. The steady drip of spin and punditry conceals as much as it reveals, and Hollywood is stepping in to fill the breach.
When "Miami Vice" was big in the '80s, like other fans I got off on the stylishly decadent trappings, the pastel rock & roll machismo coolness -- the T-shirts worn under silk jackets, the roiling synthesizer music and white-on-white coral deco mansions, the way that Don Johnson, with his dimples and jaded nobility and celebrated stubble (I will always be grateful to him for making it possible to work in an office and shave only every other day), would stare into the mug of some two-bit informer and threaten him with a sarcastic "Pal!"
I'm what you'd call backwards when it comes to the movie-watching tendencies and preferences. I'm not as much into the premise for a film, the stars or how cool the trailer or poster looks as folks who make their living writing films.
Michael Mann's latest film, "Collateral," starring Tom Cruise, Jamie Foxx and Jada Pinkett Smith, is a suspense thriller with little real suspense and few thrills.
DANIEL A. PETIT, 35 Peugeot Motors of America Inc. American-born and Paris-raised, Petit was well cast for the job of managing advertising and public relations at Peugeot's U.S. subsidiary. Now he ...
Talk about dealmaking. When insider trading charges brought down Ivan Boesky, Hollywood studios and New York publishing houses flocked to get a piece of the action. (For more on the scandal, see Mo...
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